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Gino Segre

Faust in Copenhagen

In the 1920's and 1930's, Niels Bohr organised annual meetings at his Copenhagen Institute. These informal conferences gave physicists the chance to exchange ideas on the what was happening at the forefront of physics. It became the tradition for some of the younger attendees to put on a skit poking fun at more experienced physicists. In Faust in Copenhagen: A Struggle for the Soul of Physics, Gino Segrè links the 1932 skit with the progress of physics and the lives of physicists of this era.

1932 was the centenary of Goethe's death, and his Faust was an obvious basis for the skit. Thus characters from the story were linked to some of the well known physicists, most of whom were at the conference, each played by a young physicist. Thus the Lord (Niels Bohr) struggles with Mephisto (Wolfgang Pauli) over the soul of Faust (Ehrenfest). Segrè describes how these and many others played their part in advancing the understanding of the new physics of quantum theory, including Werner Heisenberg, Paul Dirac, Max Delbrück and Lise Meitner. Some of these were not much older than the students performing the skit, and it would have been assumed that these in their turn would take their place in the struggle to understand quantum theory. However, as it turned out, the coming years had something different for them - the development of nuclear fission and thus the atom bomb, showing an extra relevance of the Faustian link (although this aspect is covered less than you might expect from a first sight of the book) Its a skillfully written book, and gives the reader insight into the roles of the physicists of the 1920's and 30's. It helped me to understand why the Copenhagen interpretation of quantum theory, despite its flaws, gained such ground. I'd recommend it to all readers who want to understand the people who had such inflence on modern physics.

Amazon.com info
Hardcover 384 pages  
ISBN: 067003858X
Salesrank: 801305
Weight:1.1 lbs
Published: 2007 Viking Adult
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Amazon.co.uk info
Hardcover 320 pages  
ISBN: 0224072560
Salesrank: 585199
Weight:1.41 lbs
Published: 2007 Jonathan Cape Ltd
Amazon price £20.00
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Amazon.ca info
Hardcover 384 pages  
ISBN: 067003858X
Salesrank: 267293
Weight:1.1 lbs
Published: 2007 Viking USA
Amazon price CDN$ 32.50
Marketplace:New from CDN$ 9.24:Used from CDN$ 2.03
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Product Description
A fascinating look at the landmark 1932 gathering of the biggest names in physics

Known by physicists as the "miracle year," 1932 saw the discovery of the neutron and the first artificially induced nuclear transmutation. However, while physicists celebrated these momentous discoveries—which presaged the era of big science and nuclear bombs—Europe was moving inexorably toward totalitarianism and war. In April of that year, about forty of the world’s leading physicists—including Werner Heisenberg, Lise Meitner, and Paul Dirac—came to Niels Bohr’s Copenhagen Institute for their annual informal meeting about the frontiers of physics.

Physicist Gino Segrè brings to life this historic gathering, which ended with a humorous skit based on Goethe’s Faust—a skit that eerily foreshadowed events that would soon unfold. Little did the scientists know the Faustian bargains they would face in the near future. Capturing the interplay between the great scientists as well as the discoveries they discussed and debated, Segrè evokes the moment when physics—and the world—was about to lose its innocence.
 
A great read, reminds me of Overbye *****
This book is a great way to understand the events of the Miracle year of 1932 when nuclear physics was born, ..... leading to the A-bomb, H-bomb and transformation of physics from an intellectual parlor game into big science. Gino Segre writes very well, and his synthesis is at just the right level for someone like me, who studied physics in the 50s and 60s. He reminds me a little of Dennis Overbye, who wrote a related book on cosmology "Lonely Hearts of the Cosmos". Both are GREAT reads.
 
Disappointing, and poorly written **
Being very interested in the early history of quantum mechanics, having read "Thirty Years That Shook Physics," and having scanned through all the positive reviews on Amazon, I borrowed this book anticipating a great read. I got about a third of the way through it and took it back. Frankly, I found the book boring and uninsightful. As story-telling FIC is badly organized: it jumps back and forth between bits and doesn't seem to have a consistent line it wants to develop about what actually happened in those magical years. Worse yet (from my perspective), with all the trading in personal details about these great individuals, we actually get very little insight into who they were and why they had the effect they did. There is *endless* restatement of the theme that Niels Bohr had a profound effect on other physicists, especially the younger ones. Okay, yeah, we get it already. Pappa Bohr was a big, big deal: the "Miss Jean Brody" of quantum physics, no less. But why did he have this effect? Because he was intense? Because he was profound? Because he accompanied the younger folks to movie theatres? All very charming, but we never get beyond superficialities in any of these questions. And often it is extremely annoying, not just because of the repetition, but because of missed opportunities to develop what seemed to me important themes. There is a very interesting anecdote in FIC about Bohr visiting Goettingen for a series of lectures and surprising the German physicists with his account of how physical ideas came to him: first as a visual picture, then as a model, and only much later as a theory that could be formalized with equations. This point is interesting because we know that Rutherford was profoundly unhappy with quantum physics exactly because of his inability to form a simple physical picture of interactions under it. There is an interesting story to be told here, and embedded within all the details that FIC collects that story may be present, but I couldn't find it. Personally I think the author did not do justice to the subject matter. And if the answer is that I should have kept on reading, I'm sorry but that's just a concession to the poor quality of the writing.
 
The Great Heart of Bohr *****
In "Faust in Copenhagen", Gino Segre takes the reader through the history of the development of the theory of quantum mechanics by looking at the people and their work that made the revolution possible. The book wisely focuses more on the personalities and lives of the young and brilliant minds that reshaped humanity's understanding of the world of the very small than on the specifics of the highly technical and mathematic science done by those minds.

The centerpiece of the narrative is the 1932 meeting at Neil Bohr's Copenhagen Institute in what is called by many the "Miracle Year" of science and the the touchstone of this narrative is the parody of Goethe's Faust written and performed by the junior attendees at the conference. It is through the lines of this parody that Segre introduces us to the principle players in the narrative and shows us the issues facing them as they passed from being the young, upstart visionaries they came into the story as to becoming the wisened old hands (so to speak).

The central figure in the story is Neils Bohr and I can honesty say that I've never read an account that is as good at revealing the deep character of the man who shepherded physics through a tumultuous time by nurturing and encouraging the brightest young mind around the world in peering into unknown. Additionally, much time is spent discussing the other great figures, Heisenberg and Pauli.

The final thing that sets the narrative apart is the deep sense of poignancy the story has as the events unfold in the shadow of Hilter and that Nazi party's growing power and rise within Germany. Segre's personal connections to the events and times are shared which adds a deep richness and familiarity to what is related so that I never felt like I was reading some dry, cleaned up version but instead a more personal "fireside" recollection.

The only drawback of the book is that I would love to have seen a complete copy of the Copenhagen Faust as an appendix to the book. Nevertheless, I strongly recommend this book to any student of physics, history of science or the culture of Europe in the period between the two world wars.
 
History of quantum theory with personal touch ****
Well written book consists of a lot of interesting historical information. Seven "main characters" are shown in a process of creating quantum theory. All other figures are randomly chosen, many names are missing, others are mentioned briefly.
 
Clear insights into a complex world ****
Excellent book with fascinating characters - Bohr, Einstein, Heisenberg, Fermi, et al leap out of the page with a clarity that makes one appreciative of what each contributed to our understanding of the physical universe.

It helps to have at least some basic grounding in physics but you don't have to be an expert by any means. Segre mixes anecdotes with concepts quite well and using the eponymous skit as a framework, paints vivid pictures of each of the principals involved. You get to know them about as well as one could from a book.

One minor quibble - Segre makes great mention of models and formulas which would have been aided by an appendix with some sort of illustration. Understanding that such complexities are simply not easily explained to a layman, even a crude depiction might have been helpful in grasping the concepts at play.
 
A biography of an entire field ****
I just finished this book a few days ago, and I quite liked it. I picked it up because I've seen it mentioned a few places, generally positively, and because it relates to Copenhagen, where I live.

Segrè tries to not only tell us about a satirical production of Faust made at an informal gathering at the Niels Bohr Institute (in Copenhagen) in 1932, but to use it as a basis for a biography of not only the birth of an entire field of Physics (Quatum), but also provide biographies of several of the people present at that meeting, and explain their contributions to the field.

Considering that most of these people were giants of the field (e.g. Heisenberg or Ehrenfest), and one towered even above them (Niels Bohr), the later alone would seem an impossible task. Yet, Segrè manages not only that, but also manages to explain the role of other important people, like Einstein, Fermi, Oppenheimer, and Schrödinger, and actually gives a quite interesting introduction to the field, and the discoveries that created it.

Segrè is a theoretical physicist himself, and this book is a work of love to the field, and a deep appreciation of those who made it possible.

On a more nationalistic level, it's interesting to see Segrè revere towards Niels Bohr, who is certainly considered a great physicist in Denmark, but is not hold to the same high esteem as Segrè holds him (and which his fellow physicists apparently held him). This esteem comes not only from Bohr's direct contributions to the field, but also to this role as a mentor for some of the greatest minds of the field (Segrè attributes much of the informal tone of theoretic physics to Bohr and his institute).

All in all, I can only recommend the book highly.
 
A disappointment. **
This is a disappointing book which doesn't really live up to its title.

It is based around a skit on Goethe's Faust performed by some of the giants of 20th century physics at one of the annual meetings organised by Niels Bohr in Copenhagen. The trouble is that one of the ostensible protagonists, Pauli, was not even present. Another, Max Delbruck, did not play a central part in the development of physics, although he was an important contributor to the early years of molecular biology. However, as one of the leading contributors to the skit, he couldn't be left out.

Segre mixes his account with some of his family history in Nazi Germany. Although interesting in its own right, it isn't really relevant to the physics he discusses.

All in all, this book doesn't really hang together and doesn't add much to other accounts of the development of physics in the years before World War II.
 
The Devil in the Details *****
I can't claim to be overly-literate when it comes to classic literature like Goethe's Faust, but Romanticism notwithstanding, Faust in Copenhagen emerges as an entirely readable chronicling of just how the hell Quantum Physics came out of the woodworks and knocked the Physics world off its feet. Segré's really gives personality to the already quirky Quantum iconoclasts. Drama without neglecting the science. Almost good enough to sell your soul.

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